Folded 2-sided poster for artist Christoph Niemann’s desert ink drawings.
Client: Christoph Niemann
2023
Record design for Das Paradies’ 2nd album “Transit”
Watch the music video we did for the single “Rosa Luft” here.
Client: groenlandrecords
2022
Folder and invite for the exhibition “Memory of Color” by Icelandic artist Erla Haraldsdottir, Iceland, 2018
Das Abenteuer
unserer Sammlung
Newspaper
Exhibition Posters
Year: 2017
Client: Kunstmuseen Krefeld
Art Direction & Design: Ariane Spanier
Design: Stephie Becker
Enamel pins for Fukt Sex issue #16 "Dirty Drawings"
sizes 2 to 3 cm
If interested purchase here: fuktmagazine.com/shop
Folder for promoting the 11th Shanghai Biennale. A seemingly random fold breaks up a questionmark.
Year: 2016
Client: Powerstation of Art, Shanghai
Leaflet for an exhibition at the Kunstmuseen Krefeld on the German landscape painter Alfred Höninghaus and british conceptual artist Victor Burgin.
Year: 2017
Client: Kunstmuseen Krefeld
year: 2016
client: greenpeace magazine
photography bodybuilder: Enver Hirsch
Cd packaging for a jazz band
During my internship at Sagmeister Inc. I designed this promotional fashion mailer which served as an invitation for the preview of Anni Kuan's 2005 fall collection. Using pieces or fabric from Kuans new collection, it spells out one of Sagmeisters diary entries, "MATERIAL LUXURIES ARE BEST ENJOYED IN SMALL DOSES" and has a small piece of real gold leaf on the cover. It later became part of the publication "Things I have learned in my life so far" by Stefan Sagmeister.
Client: Anni Kuan
Year: 2005
Year: 2016
creative direction & design: Ariane Spanier
design: Stephie Becker
Broschure
It Is Only Through Your Thoughts That I Can Remember Who I Am
Year: 2017
Cover and opener Illustration for Washington Post Magazine Dec 23rd, on "Lives Remembered". The cover story was telling 6 touching life stories of people who passed away in 2012 in the Washington area.
Client:
Washington Post Magazine
Year: 2012
Map / Folder for an art project of Ebba Moi and Anna Carin Hedberg using the game "Chinese Whispers" to create art works.
Year: 2012
Client: Ebba Moi & Anna Carin Hedberg
Where: Kristiansand Kunsthall, Norway
puzzle card as new years greeting
year: 2014
Client: Kunsthalle zu Kiel
CD packaging for Karin Sander exhibition series "Audiotour" where visitors walk through an empty room only listening artists describing one of their works through an audioguide.
Year: 2005 - 2011
client: Karin Sander
Dye cut card for an art educational program at Kunsthalle Kiel
client: Kunsthalle zu Kiel
Call for entries for the architecture competition Europan Norway. Printed on transparent paper the letters break apart when unfolded.
Year: 2012
Client: Europan Norway
A map of replanted trees. Artist Ulrike Mohr replaced a number of trees that had been growing on the roof of the former Palast der Repulic in the years after the wall came down in Berlin to a green area somewhere else in the city.
Year: 2008
Client: Ulrike Mohr
Design of 2 Moleskine Notebooks for the drawing festival "The Big Draw Berlin"
Year: 2010 & 2012
Client: Kulturlabor e.V.
Contribution to the United Korea Flag Project, curated by Chull Kang, exhibition at the Gwangju Design Biennale, Korea.
2019
Typographic illustration for Greensource magazine for sustainable design on the subject of agriculture on tall buildings.
Year: 2013
Typographical illustration for the bits section in New York Times on encryption and secure communication online.
Year: 2015
Remake of the Big Draw Berlin motif of standing pencils commissioned by WIRED UK Magazine for their feature opener in the 02.14 issue.
Year: 2014
Coverstory and opener illustrations for swiss "Das Magazin" (N0. 40/2103 Switzerland). Title "As Rico went". The story is a very tragic one - a boy, 11 years old, one day jumped off a bridge seemingly out of the blue.
Year: 2013
Various illustration for the German Greenpeace Magazine
Year: since 2015
Illu on questioning everything for the US edition of TIME Magazine.
Time Magazine
Year: 2015
Creative Director: DW. Pine
Typographical illustration for the weekly column "On Language" by William Safire (✝) for the New York Times Magazine, Issue Dec. 16, 2007.
Safires text was about how the word "soap" has turned into the word "body wash" over the years.
Client:
New York Times Magazine
Year: 2007
Cover illustration for German Greenpeace Magazin for a special food issue on smarter eating.
Year: 2017
Client: greenpeacemagazin
Set of 5 porcelain cups, showing nature motifs, designed for greenpeace magazine.
Year: 2015
Creative direction:
ariane spanier
intern: Lisa Graignic
Commissioned illustration for a Cover story on Green Economy of the New York Times Magazine. Several world currencies were used to build a flower meadow spelling out the title. Unfortunately, it didn't make the cover in the end, but it was real fun to do.
Client:
New York Times Magazine
Year: 2010
Photographer of piece:
Reinhard Hunger
Alphabet for the web and mobile writing application "Notegraphy". Users can write notes and style them with different available designs and publish their notes, messages or texts via the social networks. The typographic collection "Peak" comes in 3 different colors with different text fonts. The letters were designed with magnetic ink.
"Created with the earthly help of magnetism, this collection appears to be weird looking in a beautiful and longing sense. It generates imaginary landscapes in the shape of letters produced by an invisible and enigmatic power. Organic and jagged, this collection is growing out from the screen towards you to explore undiscovered territories. To express the thinkable and unthinkable.
Recommended for: Retired alpinists, adventurous nerds, sharp-thinking folks, wistful punks, avant-garde housewives and edgy biologists."
Client: Notegraphy.com
Year: 2013
Wall illustration (7,50m x 2,70m) depicting key points in the history of fashion for the exhibition "fashion talks" at the Museum for Communications in Berlin.
Client: Museum for Communication, Berlin
Year: 2011
Photo with visitor:
Dulcineia Gomes
An illustration / gif animation for German greenpeace magazin on the US election and its impact on climate (change).
Year: 2016
Client: Rimini Berlin
published by Birckhäuser Verlag
Year: 2009
personal easter greeting
year: 2017
Opening illustration for Cincinnati Magazine's Coverstory on unsolved mysterious crime stories, April 2013
Year: 2013
Label for Swedish Solberga Honung, "Sun mountain Honey" made by the hives of Theo Ågren. From flowers near you! The eruption of the volcano will tear once the seal is opened.
Theo Ågren
Year: 2014